Time: 158 Minutes
Age Rating: Acts of cruelty & rape, sexual violence & offensive language
Daniel Craig as Mikael Blomvist
Rooney Mara as Lisbeth Salander
Christopher Plummer as Henrik Vanger
Stellan Skarsgard as Martin Vanger
Steven Berkoff as Dirch Frode
Robin Wright as Erika Berger
Yorick van Wageningen as Nils Bjurman
Joely Richardson as Anita Vanger
Director: David Fincher
After being successfully sued for libel by a wealthy industrialist, investigative journalist Mikael Blomkvist (Daniel Craig) leaves his magazine Millennium and accepts an offer from Henrik Vanger (Christopher Plummer) to write the Vanger family history. What Henrik is most interested in learning however is what happened to his niece, Harriet Vanger, who he is certain was murdered by a member of his family in the summer of 1966. Mikael takes on the task and moves into a small cottage on the Vanger estate. Blomkvist eventually believes that her disappearance might have something to do with some serial killings that took place 20 years before she disappeared. He begins to decipher some of the clues Harriet has left behind and decides to get an assistant, computer hacker Lisbeth Salander (Rooney Mara), the woman who did the very thorough background check on him for Vanger. Together, they learn of some of the Vangers deep, violent secrets.
I haven’t read the novels by Stieg Larsson or watched the original movies, but just from watching this movie, I should get around to looking at them sometime because of how much I loved this movie. David Fincher was the perfect director for this film, creating a chilling atmosphere and overall, a film that is always captivating and interesting with never a dull moment.
Starting with a sleek, stylistic and dark opening animation which is accompanied with Trent Reznor and Karen O’s cover of Immigrant Song (Originally by Led Zeppelin) the film never lets up in being completely interesting. When you go into this movie, expect a dialogue driven movie, like Zodiac (another Fincher movie) but yet it is much more captivating. It is also worth knowing that this is a mystery movie that has a lot of details to take in. The film also mostly jumps between the perspectives of Lisbeth and Mikael before they meet about halfway into the movie. Despite the film being a bit long at 2 hours and 40 minutes I still was interested throughout the entire runtime. The film also concludes with a fitting ending that has me itching for the sequels.
Rooney Mara was absolutely fantastic in this movie. From her performance alone, I can see that her character is extremely hard to portray but somehow, she pulls it off. Mara managed to really transform herself to become Lisbeth and on screen, she lives and breathes her. She has successfully managed personifies one of the most complex and interesting characters I have watched on screen. Daniel Craig is also really good here who also has great chemistry with Rooney Mara. Other actors like Christopher Plummer and Stellan Skarsgard are also really good in their roles.
David Fincher’s films always look great and this movie is no exception. The locations in Sweden are well made and the film looks downright beautiful when it takes place in winter. Incredibly, some of scenes used CGI, when all of the film looked like it was filmed with none of that. The score by Trent Reznor and Atticus Ross is also really good and sets the mood for the location, particularly in the snow.
The Girl with the Dragon Tattoo proves again that David Fincher knows what he is doing behind the camera. It may not be the most pleasant film to watch but it is always eye catching with beautiful cinematography, a captivating tone and brilliant performances, mostly notable that being of Rooney Mara’s. It’s extremely hard for me to find any flaws in the movie and I’m looking forward to the sequels and I hope they get made.