Tag Archives: Rooney Mara

Una (2017) Review

Time: 94 Minutes
Age Rating: 860949[1] Sex scenes, offensive language & content that may disturb
Cast:
Rooney Mara as Una Spencer
Ben Mendelsohn as Ray Brooks
Ruby Stokes as Young Una Spencer
Indira Varma as Sonia
Tara Fitzgerald as Andrea
Tobias Menzies as Mark
Riz Ahmed as Scott
Natasha Little as Yvonne
Director: Benedict Andrews

With deeply unresolved questions about her past, Una (Rooney Mara) travels to another city, turning up unannounced at Ray’s (Ben Mendelsohn) work and dredging up a decade-old experience that he thought he’d left behind.

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Una was one of my most anticipated movies of 2016 (however it only really came out for the general audience in 2017). It was mainly the talent involved that had be interested, with Rooney Mara and Ben Mendelsohn, with that level of talent I was interested in seeing their performances (and I’m pretty much willing to watch anything that Rooney Mara is in). Having finally seen Una, I can say that the film is pretty decent on its own, with its direction and writing. But it’s the performances that really makes this movie worth watching.

This film feels like a play, which is fitting since it was based off a play called Blackbird by David Harrower (who also adapted the play into the screenplay for Una). This movie’s pace is very steady and with that slow pace, the movie does lose my interest at points. The film really excels in the scenes between Rooney and Ben and every single one of them are riveting (I’ll get into them later). The scenes that aren’t between them are hit or miss, most of them are fine, but some of them just weren’t as interesting as a lot of the other scenes. You also really need to know that that this is a dialogue driven movie, there’s a lot of scenes where characters would just sit or stand and just talk for a long time. As for how it portrays the paedophile aspect, I personally think it was handled well, you don’t see any of the actions on screen (thankfully) but you hear Una and Ray mention what happened, and the film doesn’t shy away from this disturbing subject matter. It was balanced suitably. Aside from the pacing and some of the less interesting scenes, one other criticism I have is that the ending is a little jarring and sudden. I have a feeling that I know what they were going for but it nonetheless felt a little unsatisfying, perhaps that was what they were intending.

The highlights of Una as I stated before are the performances. First of all we have Rooney Mara delivering one of her best performances yet with Una, and considering the performances she’s given (especially The Girl with the Dragon Tattoo and Carol), that is saying a lot. Una is a complicavted person, when she tracks down Ray we don’t know her intentions, and that ambigiouty is shown so well by Mara. Every delivery of her lines, every expression and especially the way she conveys so many emotions through just a look, without even needing to say anything is simply excellent. It’s quite frankly a perfect performance. Just as good is Ben Mendelsohn who gives quite possibly his best performance yet. He doesn’t have an easy job, he’s playing a paedophile after all. The filmmakers and Mendelsohn present Ray as human as possible, which to be honest is the only way to really portray this character. Had this not been handled right it could’ve failed badly, but along with the way he’s presented, Ben Mendelsohn truly is incredible in this role, his performance was just as perfect as Rooney’s. The interactions between Rooney and Ben are the highlights of the movie, they shared excellent chemistry and worked off each other incredibly well. Ruby Stokes plays young Una in flashbacks and she is very good in her role, definitely deserves some praise as well. Riz Ahmed is in this movie and while he is good in his role, ultimately his role could be played by anyone.

This film is the directional debut of Benedict Andrews, he is a theatre director and you can really see that, not just in the way the dialogue is presented but the way the film is edited and directed. This film doesn’t have a flashy direction but that’s good, it doesn’t take away from the focus on the actors. Una is also shot very well, I don’t have any issues with the cinematography. The soundtrack, while not that spectacular does give a lot of the scenes an eerie vibe. In fact a lot of the scenes have an eerie, haunting vibe, from the music, to the camera shots, to the editing, and that helped to make many of the scenes tense, even when nothing is happening.

Una is pretty well written and directed well but really the best reason to see Una is for the performances. Both Rooney Mara and Ben Mendelsohn given some of their best performances to date and are absolutely phenomenal. If you can handle the lurid subject matter, I recommend giving Una a watch. I’m not quite sure if I would call it a great movie but it has a lot of great aspects to it, especially the excellent acting.

Pan (2015) Review

Time: 111 Minutes
Age Rating: 120px-OFLCN_-_PG.svg[1] Violence
Cast:
Levi Miller as Peter Pan
Hugh Jackman as Blackbeard
Garrett Hedlund as James Hook
Rooney Mara as Tiger Lily
Adeel Akhtar as Sam “Smee” Smiegel
Nonso Anozie as Bishop
Amanda Seyfried as Mary
Kathy Burke as Mother Barnabas
Lewis MacDougall as Nibs
Jack Charles as Chief Great Little Panther
Cara Delevingne as the Mermaids
Director: Joe Wright

Living a bleak existance at a London orphanage, 12 year old Peter (Levi Miller) finds himself whisked away to the fantastical world of Neverland. Adventure awaits as he meets new friend James Hook (Garrett Hedlund) and the warrior Tiger Lily (Rooney Mara). They must band together to save Neverland from the ruthless pirate Blackbeard (Hugh Jackman). Along the way the rebellious and mischievious boy discovers his true destiny, becoming the hero forever known as Peter Pan.

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Pan looked like it had a lot of potential, so I was a little disappointed when it was ‘panned’ by most people, because I was really curious to check it out. After seeing this much hated movie, I have to say that it is… okay. I’m not going to act like it’s a great movie, I’m not even sure I’d consider it good. It has many questionable aspects of it. But at the same time it has some things that I like with a couple of the actors, the action and the general feel, I didn’t really feel bored throughout. It’s a passable movie.

The story for Pan is not very good. This movie tries to force in a prophecy story for Peter Pan and it is completely unnecessary for it to do this (and its completely cliché). You’ve seen this story before and you’ve seen it done better. Also this film just has some random moments, such as the infamous moments when people start singing “Smells Like Teen’s Spirit” and “Blitzkreig Bop”. I’m guessing that director Joe Wright wanted to be unique by blending modern elements into this story but it just felt incredibly out of place. This movie is basically the first instalment of a trilogy for the origin story for Peter Pan. Unfortunately because this movie flopped and was panned, the sequels were cancelled, so looking at the ending of this movie now is like looking at the last scenes of The Amazing Spider-Man 2. But even in this movie, there are some elements that didn’t work that well. For example, at no point does Hook feel like he could become the villain Captain Hook in the future. There’s never a dark edge to him. Despite this and countless other issues with the movie, it was still watchable, if annoying at times with the constant amount of times they didn’t do things right. I was reasonably entertained throughout, I wasn’t really bored at any point. So at least if you are just wanting an above average family action fantasy film that’s entertaining enough, you’ve got that with Pan.

Levi Miller is playing Peter Pan and he is trying his best here but I have a feeling he wasn’t given enough direction, he was okay overall. The reason to see this movie is Hugh Jackman as Blackbeard, he absolutely steals the show, chewing up scenery in every single scene he’s in. Jackman is effortlessly entertaining in this movie and was used to his fullest potential (in that he was effective as a fun, over the top villain)/ A controversial casting decision was Rooney Mara as Tiger Lily (I didn’t have an opinion on it since this is the first time I’ve seen Tiger Lily in anything). All I will say is that Rooney Mara was good in this movie, probably one of the best performances in this movie alongside Jackman. Her choreography in her action scenes was also great. I will say that she did feel kind of out of place, she still acted well in her role. If there’s a negative acting wise I will say that it’s Garrett Hedlund as Hook. Hedlund is a fine actor but he’s not good here, he is kinda over the top in the annoying kind of way, and as I said earlier there were no hints of villanouy in him, so it’s hard to buy him becoming Peter Pan’s adversary in the future. Oh and Cara Delevingne shows up in a 1 minute cameo as twin mermaids, which was kind of pointless.

The direction of Pan was a bit of a mixed bag overall. A lot of the style and world of Neverland I liked, some of it was hit or miss though. The visual effects are very poor, it looks incredibly fake and embarrassing, especially when it comes to the green screen. It’s actually kind of embarrassing. Aside from that, the action itself was filmed well, with the fight scenes being quite entertaining. The score I will say is great, if only it was used in a much better movie.

Pan is not really that good as a movie but it’s not really bad either. The CGI was very bad, the story wasn’t particularly interesting or special. However I liked Hugh Jackman, Rooney Mara and the action scenes (minus the effects), I wasn’t that bored throughout, it was passable, and I would be lying if I said I wasn’t entertained during it. I say check it out if you’re interested but don’t expect anything great.

A Nightmare on Elm Street (2010) Review

Time: 95 Minutes
Age Rating: 860949[1] Violence, offensive language and sexual themes.
Cast:
Jackie Earle Haley as Freddy Krueger
Rooney Mara as Nancy Holbrook
Kyle Gallner as Quentin Smith
Katie Cassidy as Kris Fowles
Thomas Dekker as Jesse Braun
Kellan Lutz as Dean Russell
Director: Samuel Bayer

Teenagers Nancy (Rooney Mara), Quentin (Kyle Gallner), Kris (Katie Cassidy), Jesse (Thomas Dekker) and Dean (Kellan Lutz) are all neighbourhood friends who begin having the same dream of a horribly disfigured man who wears a tattered sweater and a glove made of knives. The man, Freddy Krueger (Jackie Earle Haley), terrorizes them in their dreams, and the only escape is to wake up. But when one of their number dies violently, the friends realise that what happens in the dream world is real, and the only way to stay alive is to stay awake.

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Horror remakes most of the time are just not good at all. One of the examples often given is the remake of A Nightmare on Elm Street. While I don’t dislike it as much as other people, I still don’t consider it to be a good remake at all. There are elements that I think are okay, with the acting and certain elements of the direction. But with the uninteresting story, boring characters, lack of any effective scares and excessive of obnoxious jump scares, it is still not enough to elevate it from it being a bad movie.

One of the worst elements about this movie is that it really isn’t that scary, I’ll go into more depth later on about the direction but I’ll just say that constantly having jump scares doesn’t make your movie scary, it actually does the opposite. Along with this movie not being scary, it’s also not that interesting. It’s just hard to care about what’s going on, the characters are so boring, there aren’t many unique elements that could interest me. It generally follows the same story as the original movie, with some minor changes which still aren’t enough to justify it existing. It’s mostly just a retread of the original movie, just done poorly. The only element that is different and new is a plot point which involves insomniacs sometimes dreaming when they are awake, which could’ve lead to some creative scares. However that was just wasted potential, as it’s just used for pointless jumpscares. One controversial element of the remake was the handling of Freddy. Slight spoiler alert but while the first movie had Freddy as more of a child killer, this remake version had him more like a pedophile. Many people said that with this version it’s hard to find Freddy to be likable, though I’m not sure how they’d find the original child killer version to be likable either. However I will say that the pedophile aspect really wasn’t that necessary, the portrayal of Freddy was going to be dark but they didn’t really need to have that element play a role in the movie.

It’s an near impossible job to take on such an iconic role, but Jackie Earle Haley did work pretty well in his version of Freddy Krueger. Gone are the darkly humorous moments from the previous Freddy, this Freddy is dark, creepy and monstrous (which viewers may or may not like). While it didn’t really change my view on this movie immensely, I do appreciate the effort to try something different (however I wish they did a whole lot more changes of the movie as a whole). The supporting cast was fine overall, nothing special but at the same time nothing terrible. They had barely anything to work with so it’s remarkable that the performances weren’t bad. Rooney Mara is in the lead role of Nancy, and she does seem to be playing a different Nancy from the original movie. While an excellent actress, you can still feel the lack of quality in the writing she was given. Her character is written so incredibly boring but Mara does enough to deliver a performance that is at the very least okay. I’ll just say that she is better in the second half more than the first half, probably because then she’s given a lot more to work with.

The direction is such a mixed bag. Some of the shots and cinematography actually are beautiful, the locations whether that be in a boiler room or a snowy location, etc, it looks gorgeous, and like what Nightmare on Elm Street would look like if it was filmed in more recent times. But then again, Max Payne was a beautiful looking movie and it was still a bad movie. Despite the positive aspects, there are some bad aspects as well. This movie does try to call back to the original by imitating certain shots, but it doesn’t feel like they were trying to tribute the movie, it just felt forced. I’m not really sure what to feel about Freddy’s look, the costume is all fine but the fake just looks goofy, fortunately Jackie Earle Haley’s performance is good enough to override it. The worst part of the direction however is when it tries to do its scares. This movie has countless jumpscares, none of them actually end up being scary however. And to make matters worse, many of the scares were just fake (scares with no actual danger), and after being hammered with so many dud scares, the viewing experience becomes even more frustrating. The kill scenes are violent bloody but they aren’t really affecting or that memorable.

The Nightmare on Elm Street remake isn’t complete garbage. There are elements of the direction I liked, I liked Jackie Earle Haley as Freddy Krueger and the rest of the cast are okay (at the very least, they are considerably better than acting in most bad horror remakes). Despite this, its not enough to make it a good movie. The remake fails to deliver any effective scares and adding on an uninteresting story, sitting through it almost feels like a chore. However I will give them this, it’s still better than Freddy’s Dead: The Final Nightmare.

The Discovery (2017) Review

Time: 110 Minutes
Age Rating: 860940[1]
Cast:
Rooney Mara as Isla
Jason Segel as Will Harbor
Jesse Plemons as Toby Harbor
Riley Keough as Lacey
Robert Redford as Thomas Harbor
Director: Charlie McDowell

In the near future, due to a breakthrough scientific discovery by Dr. Thomas Harbor (Robert Redford), there is now definitive proof of an afterlife. While countless people have chosen suicide to reset their existence, others try to decide what it all means. Among them is Dr. Harbor’s son Will (Jason Segal), who has arrived at his father’s isolated compound with a mysterious young woman named Isla (Rooney Mara). There, they discover the strange acolytes who help Dr. Harbor with his experiments.

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The Discovery was one of my most anticipated films of 2017. With its talented cast, its very intriguing premise and trailer, it looked like an interesting and unique movie at the very least. After finally watched this movie, I have to say, it didn’t disappoint. The acting, direction and most of the story was great. There were a couple of aspects which didn’t work well but it’s not enough to affect the overall viewing experience in a major way.

The premise about the aftermath after the discovery of the afterlife is very interesting, and I was invested throughout the entire running time. I never felt bored or confused in the movie (I was however confused at the end but I’ll get to that later). Each twist and turn only increased my curiosity in what direction the film was going in next. For the most part this movie works very well. That’s not to say that everything was as good as it could’ve been. The film does rely on a lot of exposition and while I liked it, I felt like there was too much of it. And then there is the ending… I’m still not sure what I think about it. The ending does add yet another twist to the numerous other twists in the movie. It is such a big twist; however the film doesn’t really allow much time for this twist to play out before the movie ends. The twist itself is one that I’m a little confused about, and I wasn’t sure about what the ending meant. Overall, I guess I sort of liked the ending but I do think it should’ve been handled better.

The acting in this movie is great overall but Rooney Mara delivered the most stand out performance out of everyone. Rooney played her role incredibly well, she also had a lot of humorous moments and lines. Her character was the one I was most interested in throughout. She and Jason Segal played off each other and had great chemistry. Segal was pretty good, however he did feel like a weak link, I’m not sure why it feels that way. Possibly slightly miscast, but he wasn’t bad. Robert Redford is always great, and does have quite a presence here. Other actors like Jason Plemons and Riley Keough were good but they were underused.

The direction and cinematography were great, this film is visually beautiful, both in regard to the way that the film was shot as well as the locations chosen. This film also has this almost eerie feel to it, which is helped by it’s score. I don’t know why but this really made me even more invested and interested in the movie.

The Discovery is very intriguing and interesting throughout. The acting was great (especially from Rooney Mara), the direction by Charlie McDowell is really good, and the story was really riveting. There are some problems I have with the movie, especially with the way they handled the ending but what it gets right, it gets right so well. I definitely recommend giving it a view, it’s now on Netflix. Not everyone loves this movie, but it might just surprise you.

Lion (2016) Review

 

Time: 118 Minutes
Age Rating: 120px-OFLCN_-_PG.svg[1] Adult themes
Cast:
Sunny Pawar as younger Saroo Brierley
Dev Patel as older Saroo Brierley
Rooney Mara as Lucy
Nicole Kidman as Sue Brierley
David Wenham as John Brierley
Director: Garth Davis

Five year old Saroo (Sunny Pawar) gets lost on a train which takes him thousands of miles across India, away from home and family. Saroo must learn to survive alone in Kolkata, before ultimately being adopted by an Australian couple. Twenty five years later, armed with only a handful of memories, his unwavering determination, and a revolutionary technology known as Google Earth, Saroo (Dev Patel) sets out to find his lost family and finally return to his first home.

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Lion was a film that I was curious about. I actually saw the 60 minutes article about the real life story this movie was based on and I just knew it would be turned into a movie. Surely enough, that happened with Lion and I knew I had to check it out as soon as possible. And it did not disappoint. Lion is a good movie, the acting was great by everyone, the direction was also good but most of all the story is compelling, Lion is definitely worth checking out.

This movie’s first half is of Young Saroo (Sunny Pawar) in India and the second half is of Adult Saroo (Dev Patel) in Australia. While most movies would cut between the past and the present, it decides to tell it’s story chronologically, while the second half has some additional flashbacks. This makes it easier to get a better idea of what Saroo’s feeling in the second half when he’s trying to find his family. It’s very easy to get caught up in the story, I never felt bored watching this movie. The first half of the movie was great. It heavily relies on actor Sunny Pawar and while I’ll get into more detail about him later, I’ll just say that he’s the reason that the first half works so well. It does feel a little jarring when the story witches to the second half. The tone, pace and feel did seem to noticeably change. The second half is still good, it just didn’t feel quite as strong as the first half, though honestly I’m not quite sure what it is. With that said, and the ending is really satisfying, and paid off well.

Newcomer actor Sunny Pawar did amazing work as Young Saroo. This is a kid actor, and Lion is also the first movie he’s been involved in. And we all know that kid actors nowadays are hit or miss. Very impressive performance, he was the stand out in the movie. He’s basically the main star, as the entire first half focusses on him. Most of the time he’s not saying anything, so his reactions and the way he acts has to carry the movie. Dev Patel was also great as adult Saroo. It was a little jarring with the shift to Dev after the first half, but nonetheless he did a good job and it was very easy to buy him in this role. Rooney Mara and Nicole Kidman also did great work in supporting roles, they definitely added a lot to this movie as well.

Lion was overall a well directed movie by director Garth Davis. This is the first film I’ve seen from him and I can tell from Lion that he’s a solid director. The cinematography is beautiful and the locations also showcased well, whether that be in India or Australia. The music by Dustin O’Halloran and Hauschka was also good. Generally though, Lion’s highlight wasn’t it’s direction, it’s the story that’s really the highlight.

Lion lived up to expectations with its great acting, solid direction and also a compelling and powerful story. While the switch between the first two halves is a bit of a jarring and the second half of the story isn’t quite as strong as the first half, I still really liked this movie. Lion was a great movie and it’s really worth checking out when you can.

Kubo and the Two Strings (2016) Review

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Kubo and the Two Strings

Time: 101 minutes
Age Rating: 120px-OFLCN_-_PG.svg[1] Contains violence & scary scenes
Cast:
Art Parkinson as Kubo
Charlize Theron as Monkey
Matthew McConaughey as Beetle
Ralph Fiennes as Raiden the Moon King
Rooney Mara as the Sisters
George Takei as Hosato
Director: Travis Knight

Young Kubo’s (Art Parkinson) peaceful existence comes crashing down when he accidentally summons a vengeful spirit from the past. Now on the run, Kubo joins forces with Monkey (Charlize Theron) and Beetle (Matthew McConaughey) to unlock a secret legacy. Armed with a magical instrument, Kubo must battle the Moon King (Ralph Fiennes) and other gods and monsters to save his family and solve the mystery of his fallen father, the greatest samurai warrior the world has ever known.

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This is a movie that interested me ever since I heard about it, mostly because of the voice acting cast with Charlize Theron, Matthew McConaughey, Rooney Mara and Ralph Fiennes involved. Also this film is made by Laika Entertainment, a stopmotion animation studio who’s made quite a few animated movies. Admittedly before this movie the only other film by Laika that I’ve seen was The Box Trolls, which I liked quite a bit. But I know that they are generally well liked with films like Coraline. After seeing Kubo and The Two Strings, I have to say that this is not only my favourite animated movie of the year so far, it is also one of my favourite movies of the whole year. Everything from the story to the animation is so well done. I hope we get more animated films like these.

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I found myself invested in the story from start to finish. All things considered, this film is darker and more mature than most animated movies, both in regards to visuals and some of the things that happen during the story. The film is also willing to slow down for some great character and story moments. This is something that I wished more animated films did, be more willing to be a little more different and challenging for children. I do think that children will enjoy Kubo (even if the film might be a little too scary or slow for them) but adults will enjoy it much more.

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The characters for the most part were also written well and were quite memorable. Kubo was a likable and relatable protagonist. The show stealers for me though, were Monkey (Charlize Theron), Beetle (Matthew McConaughey). I guess if we are talking about weak links in regards to characters, it’s the Moon King (Ralph Fiennes), the main villain of the film. He’s not written badly but he doesn’t have enough screentime and felt a little weak. He’s fine overall though. I thought the other villain(s), The Sisters (Rooney Mara), Kubo’s aunts who are sent after Kubo were much more effective and memorable, they were also showstealers in the film and I loved watching them when they were on screen.

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If you know Laika, you know that they use a lot of stopmotion animation. I don’t know how it compares to most of their other films as I’ve only seen The Box Trolls but I thought the animation for this movie was absolutely fantastic. This movie is beautiful from start to finish, the environment and locations were great, they really blended CGI and practical work well. The costume designs and actually the designs for everything was fantastic. It’s a very well designed movie overall.

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Kubo and the Two Strings is absolutely fantastic and is one of the best films of the year. From the beautiful animation, to the well written and memorable characters (which is helped by the brilliant voice actors) to a great story, this movie was great at pretty much every level. It also goes further than most children’s animated films, both tonally and structurally. Go out and see this movie as soon as possible. You will not be disappointed.

2016 Oscar Predictions

When you look at it in the grand scheme of things, movie awards really don’t matter. There are plenty of movies that should win but don’t, some of them don’t even get nominated, and there are some movies that don’t really deserve to win, but win anyway. So no matter what happens during the awards ceremony, it doesn’t really matter. But still, it’s fun to predict what movies will win and at the same time state what you think should win. Since everyone else is doing it, I decided to give my predictions for the 2016 Academy Awards. I have watched most of the films in the major categories but occasionally there’s a movie like The Hateful Eight which I can’t or just haven’t seen, so just keep that in mind.

* – Haven’t seen yet

BEST PICTURE

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The Big Short
Bridge of Spies
Brooklyn
Mad Max: Fury Road
The Martian
The Revenant
Room*
Spotlight

Will Win – The Revenant
Should Win – The Revenant
Should’ve Been Nominated – Carol

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Best Director

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Adam McKay – The Big Short
George Miller – Mad Max: Fury Road
Alejandro G. Iñárritu – The Revenant
Lenny Abrahamson – Room*
Tom McCarthy – Spotlight

Will Win – Alejandro G. Iñárritu – The Revenant
Should Win – George Miller – Mad Max: Fury Road
Should’ve Been Nominated – Todd Haynes – Carol

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BEST ACTOR IN A LEADING ROLE

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Bryan Cranston, Trumbo
Matt Damon, The Martian
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl

Will Win – Leonardo DiCaprio, The Revenant
Should Win – Leonardo DiCaprio, The Revenant

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BEST ACTRESS IN A LEADING ROLE

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Cate Blanchett, Carol
Brie Larson, Room*
Jennifer Lawrence, Joy
Charlotte Rampling, 45 Years*
Saoirse Ronan, Brooklyn

Will Win – Brie Larson, Room
Should Win – Cate Blanchett, Carol
Should’ve Been Nominated – Rooney Mara, Carol (instead of being nominated for supporting)

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BEST ACTOR IN A SUPPORTING ROLE

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Christian Bale, The Big Short
Tom Hardy, The Revenant
Mark Ruffalo, Spotlight
Mark Rylance, Bridge of Spies
Sylvester Stallone, Creed

Will Win – Sylvester Stallone, Creed
Should Win – Sylvester Stallone, Creed
Should’ve Been Nominated – Benicio Del Toro, Sicario

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ACTRESS IN A SUPPORTING ROLE

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Jennifer Jason Leigh, The Hateful Eight*
Rooney Mara, Carol
Rachel McAdams, Spotlight
Alicia Vikander, The Danish Girl
Kate Winslet, Steve Jobs

Will Win – Alicia Vikander, The Danish Girl
Should Win – Rooney Mara, Carol

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BEST ADAPTED SCREENPLAY

Left to right: Steve Carell plays Mark Baum and Ryan Gosling plays Jared Vennett in The Big Short from Paramount Pictures and Regency Enterprises

The Big Short
Brooklyn
Carol
The Martian
Room*

Will Win – The Big Short
Should Win – The Big Short
Should’ve Been Nominated – Steve Jobs

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BEST ORIGINAL SCREENPLAY

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Bridge of Spies
Ex Machina*
Inside Out
Spotlight
Straight Outta Compton*

Will Win – Spotlight
Should Win – Spotlight
Should’ve Been Nominated – The Hateful Eight*

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ANIMATED FEATURE FILM

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Anomalisa*
Boy and the World*
Inside Out
Shaun the Sheep Movie*
When Marnie Was There*

Will Win – Inside Out
Should Win – Inside Out

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BEST ORIGINAL SCORE

Bridge of Spies – Thomas Newman
Carol – Carter Burwell
The Hateful Eight – Ennio Morricone
Sicario – Johann Johannsson
Star Wars: The Force Awakens – John Williams

Will Win – The Hateful Eight
Should Win – The Hateful Eight
Should’ve Been Nominated – Mad Max: Fury Road – Junkie XL

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BEST SOUND EDITING

Mad Max: Fury Road
The Martian
The Revenant
Sicario
Star Wars: The Force Awakens

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road

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BEST SOUND MIXING

Bridge of Spies
Mad Max: Fury Road
The Martian
The Revenant
Star Wars: The Force Awakens

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road

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BEST PRODUCTION DESIGN

Mad-Max-header-1[1]

Bridge of Spies
The Danish Girl
Mad Max: Fury Road
The Martian
The Revenant

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road
Should’ve Been Nominated – Star Wars: The Force Awakens

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BEST CINEMATOGRAPHY

the-revenant-trailer-leo[1]

Carol
The Hateful Eight*
Mad Max: Fury Road
The Revenant
Sicario

Will Win – The Revenant
Should Win – The Revenant
Should’ve Been Nominated – Star Wars: The Force Awakens

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BEST MAKEUP AND HAIRSTYLING

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Mad Max: Fury Road
The 100-Year-Old Man Who Climbed Out the Window and Disappeared*
The Revenant

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road

=============================

BEST COSTUME DESIGN

tom-hardy-charlize-theron-mad-max-fury-road[1]

Carol
Cinderella
The Danish Girl
Mad Max: Fury Road
The Revenant

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road

=============================

BEST FILM EDITING

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The Big Short
Mad Max: Fury Road
The Revenant
Spotlight
Star Wars: The Force Awakens

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road
Should’ve Been Nominated – Star Wars: The Force Awakens

=============================

BEST VISUAL EFFECTS

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Ex Machina
Mad Max: Fury Road
The Martian
The Revenant
Star Wars: The Force Awakens

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road

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So what are your thoughts, what do you think will win, what do you think should win and what do you think should’ve been nominated? Comment below and let me know your predictions for 2016.