Tag Archives: Rooney Mara

A Nightmare on Elm Street (2010) Review

Time: 95 Minutes
Age Rating: 860949[1] Violence, offensive language and sexual themes.
Cast:
Jackie Earle Haley as Freddy Krueger
Rooney Mara as Nancy Holbrook
Kyle Gallner as Quentin Smith
Katie Cassidy as Kris Fowles
Thomas Dekker as Jesse Braun
Kellan Lutz as Dean Russell
Director: Samuel Bayer

Teenagers Nancy (Rooney Mara), Quentin (Kyle Gallner), Kris (Katie Cassidy), Jesse (Thomas Dekker) and Dean (Kellan Lutz) are all neighbourhood friends who begin having the same dream of a horribly disfigured man who wears a tattered sweater and a glove made of knives. The man, Freddy Krueger (Jackie Earle Haley), terrorizes them in their dreams, and the only escape is to wake up. But when one of their number dies violently, the friends realise that what happens in the dream world is real, and the only way to stay alive is to stay awake.

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Horror remakes most of the time are just not good at all. One of the examples often given is the remake of A Nightmare on Elm Street. While I don’t dislike it as much as other people, I still don’t consider it to be a good remake at all. There are elements that I think are okay, with the acting and certain elements of the direction. But with the uninteresting story, boring characters, lack of any effective scares and excessive of obnoxious jump scares, it is still not enough to elevate it from it being a bad movie.

One of the worst elements about this movie is that it really isn’t that scary, I’ll go into more depth later on about the direction but I’ll just say that constantly having jump scares doesn’t make your movie scary, it actually does the opposite. Along with this movie not being scary, it’s also not that interesting. It’s just hard to care about what’s going on, the characters are so boring, there aren’t many unique elements that could interest me. It generally follows the same story as the original movie, with some minor changes which still aren’t enough to justify it existing. It’s mostly just a retread of the original movie, just done poorly. The only element that is different and new is a plot point which involves insomniacs sometimes dreaming when they are awake, which could’ve lead to some creative scares. However that was just wasted potential, as it’s just used for pointless jumpscares. One controversial element of the remake was the handling of Freddy. Slight spoiler alert but while the first movie had Freddy as more of a child killer, this remake version had him more like a pedophile. Many people said that with this version it’s hard to find Freddy to be likable, though I’m not sure how they’d find the original child killer version to be likable either. However I will say that the pedophile aspect really wasn’t that necessary, the portrayal of Freddy was going to be dark but they didn’t really need to have that element play a role in the movie.

It’s an near impossible job to take on such an iconic role, but Jackie Earle Haley did work pretty well in his version of Freddy Krueger. Gone are the darkly humorous moments from the previous Freddy, this Freddy is dark, creepy and monstrous (which viewers may or may not like). While it didn’t really change my view on this movie immensely, I do appreciate the effort to try something different (however I wish they did a whole lot more changes of the movie as a whole). The supporting cast was fine overall, nothing special but at the same time nothing terrible. They had barely anything to work with so it’s remarkable that the performances weren’t bad. Rooney Mara is in the lead role of Nancy, and she does seem to be playing a different Nancy from the original movie. While an excellent actress, you can still feel the lack of quality in the writing she was given. Her character is written so incredibly boring but Mara does enough to deliver a performance that is at the very least okay. I’ll just say that she is better in the second half more than the first half, probably because then she’s given a lot more to work with.

The direction is such a mixed bag. Some of the shots and cinematography actually are beautiful, the locations whether that be in a boiler room or a snowy location, etc, it looks gorgeous, and like what Nightmare on Elm Street would look like if it was filmed in more recent times. But then again, Max Payne was a beautiful looking movie and it was still a bad movie. Despite the positive aspects, there are some bad aspects as well. This movie does try to call back to the original by imitating certain shots, but it doesn’t feel like they were trying to tribute the movie, it just felt forced. I’m not really sure what to feel about Freddy’s look, the costume is all fine but the fake just looks goofy, fortunately Jackie Earle Haley’s performance is good enough to override it. The worst part of the direction however is when it tries to do its scares. This movie has countless jumpscares, none of them actually end up being scary however. And to make matters worse, many of the scares were just fake (scares with no actual danger), and after being hammered with so many dud scares, the viewing experience becomes even more frustrating. The kill scenes are violent bloody but they aren’t really affecting or that memorable.

The Nightmare on Elm Street remake isn’t complete garbage. There are elements of the direction I liked, I liked Jackie Earle Haley as Freddy Krueger and the rest of the cast are okay (at the very least, they are considerably better than acting in most bad horror remakes). Despite this, its not enough to make it a good movie. The remake fails to deliver any effective scares and adding on an uninteresting story, sitting through it almost feels like a chore. However I will give them this, it’s still better than Freddy’s Dead: The Final Nightmare.

The Discovery (2017) Review

Time: 110 Minutes
Age Rating: 860940[1]
Cast:
Rooney Mara as Isla
Jason Segel as Will Harbor
Jesse Plemons as Toby Harbor
Riley Keough as Lacey
Robert Redford as Thomas Harbor
Director: Charlie McDowell

In the near future, due to a breakthrough scientific discovery by Dr. Thomas Harbor (Robert Redford), there is now definitive proof of an afterlife. While countless people have chosen suicide to reset their existence, others try to decide what it all means. Among them is Dr. Harbor’s son Will (Jason Segal), who has arrived at his father’s isolated compound with a mysterious young woman named Isla (Rooney Mara). There, they discover the strange acolytes who help Dr. Harbor with his experiments.

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The Discovery was one of my most anticipated films of 2017. With its talented cast, its very intriguing premise and trailer, it looked like an interesting and unique movie at the very least. After finally watched this movie, I have to say, it didn’t disappoint. The acting, direction and most of the story was great. There were a couple of aspects which didn’t work well but it’s not enough to affect the overall viewing experience in a major way.

The premise about the aftermath after the discovery of the afterlife is very interesting, and I was invested throughout the entire running time. I never felt bored or confused in the movie (I was however confused at the end but I’ll get to that later). Each twist and turn only increased my curiosity in what direction the film was going in next. For the most part this movie works very well. That’s not to say that everything was as good as it could’ve been. The film does rely on a lot of exposition and while I liked it, I felt like there was too much of it. And then there is the ending… I’m still not sure what I think about it. The ending does add yet another twist to the numerous other twists in the movie. It is such a big twist; however the film doesn’t really allow much time for this twist to play out before the movie ends. The twist itself is one that I’m a little confused about, and I wasn’t sure about what the ending meant. Overall, I guess I sort of liked the ending but I do think it should’ve been handled better.

The acting in this movie is great overall but Rooney Mara delivered the most stand out performance out of everyone. Rooney played her role incredibly well, she also had a lot of humorous moments and lines. Her character was the one I was most interested in throughout. She and Jason Segal played off each other and had great chemistry. Segal was pretty good, however he did feel like a weak link, I’m not sure why it feels that way. Possibly slightly miscast, but he wasn’t bad. Robert Redford is always great, and does have quite a presence here. Other actors like Jason Plemons and Riley Keough were good but they were underused.

The direction and cinematography were great, this film is visually beautiful, both in regard to the way that the film was shot as well as the locations chosen. This film also has this almost eerie feel to it, which is helped by it’s score. I don’t know why but this really made me even more invested and interested in the movie.

The Discovery is very intriguing and interesting throughout. The acting was great (especially from Rooney Mara), the direction by Charlie McDowell is really good, and the story was really riveting. There are some problems I have with the movie, especially with the way they handled the ending but what it gets right, it gets right so well. I definitely recommend giving it a view, it’s now on Netflix. Not everyone loves this movie, but it might just surprise you.

Lion (2016) Review

 

Time: 118 Minutes
Age Rating: 120px-OFLCN_-_PG.svg[1] Adult themes
Cast:
Sunny Pawar as younger Saroo Brierley
Dev Patel as older Saroo Brierley
Rooney Mara as Lucy
Nicole Kidman as Sue Brierley
David Wenham as John Brierley
Director: Garth Davis

Five year old Saroo (Sunny Pawar) gets lost on a train which takes him thousands of miles across India, away from home and family. Saroo must learn to survive alone in Kolkata, before ultimately being adopted by an Australian couple. Twenty five years later, armed with only a handful of memories, his unwavering determination, and a revolutionary technology known as Google Earth, Saroo (Dev Patel) sets out to find his lost family and finally return to his first home.

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Lion was a film that I was curious about. I actually saw the 60 minutes article about the real life story this movie was based on and I just knew it would be turned into a movie. Surely enough, that happened with Lion and I knew I had to check it out as soon as possible. And it did not disappoint. Lion is a good movie, the acting was great by everyone, the direction was also good but most of all the story is compelling, Lion is definitely worth checking out.

This movie’s first half is of Young Saroo (Sunny Pawar) in India and the second half is of Adult Saroo (Dev Patel) in Australia. While most movies would cut between the past and the present, it decides to tell it’s story chronologically, while the second half has some additional flashbacks. This makes it easier to get a better idea of what Saroo’s feeling in the second half when he’s trying to find his family. It’s very easy to get caught up in the story, I never felt bored watching this movie. The first half of the movie was great. It heavily relies on actor Sunny Pawar and while I’ll get into more detail about him later, I’ll just say that he’s the reason that the first half works so well. It does feel a little jarring when the story witches to the second half. The tone, pace and feel did seem to noticeably change. The second half is still good, it just didn’t feel quite as strong as the first half, though honestly I’m not quite sure what it is. With that said, and the ending is really satisfying, and paid off well.

Newcomer actor Sunny Pawar did amazing work as Young Saroo. This is a kid actor, and Lion is also the first movie he’s been involved in. And we all know that kid actors nowadays are hit or miss. Very impressive performance, he was the stand out in the movie. He’s basically the main star, as the entire first half focusses on him. Most of the time he’s not saying anything, so his reactions and the way he acts has to carry the movie. Dev Patel was also great as adult Saroo. It was a little jarring with the shift to Dev after the first half, but nonetheless he did a good job and it was very easy to buy him in this role. Rooney Mara and Nicole Kidman also did great work in supporting roles, they definitely added a lot to this movie as well.

Lion was overall a well directed movie by director Garth Davis. This is the first film I’ve seen from him and I can tell from Lion that he’s a solid director. The cinematography is beautiful and the locations also showcased well, whether that be in India or Australia. The music by Dustin O’Halloran and Hauschka was also good. Generally though, Lion’s highlight wasn’t it’s direction, it’s the story that’s really the highlight.

Lion lived up to expectations with its great acting, solid direction and also a compelling and powerful story. While the switch between the first two halves is a bit of a jarring and the second half of the story isn’t quite as strong as the first half, I still really liked this movie. Lion was a great movie and it’s really worth checking out when you can.

Kubo and the Two Strings (2016) Review

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Kubo and the Two Strings

Time: 101 minutes
Age Rating: 120px-OFLCN_-_PG.svg[1] Contains violence & scary scenes
Cast:
Art Parkinson as Kubo
Charlize Theron as Monkey
Matthew McConaughey as Beetle
Ralph Fiennes as Raiden the Moon King
Rooney Mara as the Sisters
George Takei as Hosato
Director: Travis Knight

Young Kubo’s (Art Parkinson) peaceful existence comes crashing down when he accidentally summons a vengeful spirit from the past. Now on the run, Kubo joins forces with Monkey (Charlize Theron) and Beetle (Matthew McConaughey) to unlock a secret legacy. Armed with a magical instrument, Kubo must battle the Moon King (Ralph Fiennes) and other gods and monsters to save his family and solve the mystery of his fallen father, the greatest samurai warrior the world has ever known.

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This is a movie that interested me ever since I heard about it, mostly because of the voice acting cast with Charlize Theron, Matthew McConaughey, Rooney Mara and Ralph Fiennes involved. Also this film is made by Laika Entertainment, a stopmotion animation studio who’s made quite a few animated movies. Admittedly before this movie the only other film by Laika that I’ve seen was The Box Trolls, which I liked quite a bit. But I know that they are generally well liked with films like Coraline. After seeing Kubo and The Two Strings, I have to say that this is not only my favourite animated movie of the year so far, it is also one of my favourite movies of the whole year. Everything from the story to the animation is so well done. I hope we get more animated films like these.

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I found myself invested in the story from start to finish. All things considered, this film is darker and more mature than most animated movies, both in regards to visuals and some of the things that happen during the story. The film is also willing to slow down for some great character and story moments. This is something that I wished more animated films did, be more willing to be a little more different and challenging for children. I do think that children will enjoy Kubo (even if the film might be a little too scary or slow for them) but adults will enjoy it much more.

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The characters for the most part were also written well and were quite memorable. Kubo was a likable and relatable protagonist. The show stealers for me though, were Monkey (Charlize Theron), Beetle (Matthew McConaughey). I guess if we are talking about weak links in regards to characters, it’s the Moon King (Ralph Fiennes), the main villain of the film. He’s not written badly but he doesn’t have enough screentime and felt a little weak. He’s fine overall though. I thought the other villain(s), The Sisters (Rooney Mara), Kubo’s aunts who are sent after Kubo were much more effective and memorable, they were also showstealers in the film and I loved watching them when they were on screen.

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If you know Laika, you know that they use a lot of stopmotion animation. I don’t know how it compares to most of their other films as I’ve only seen The Box Trolls but I thought the animation for this movie was absolutely fantastic. This movie is beautiful from start to finish, the environment and locations were great, they really blended CGI and practical work well. The costume designs and actually the designs for everything was fantastic. It’s a very well designed movie overall.

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Kubo and the Two Strings is absolutely fantastic and is one of the best films of the year. From the beautiful animation, to the well written and memorable characters (which is helped by the brilliant voice actors) to a great story, this movie was great at pretty much every level. It also goes further than most children’s animated films, both tonally and structurally. Go out and see this movie as soon as possible. You will not be disappointed.

2016 Oscar Predictions

When you look at it in the grand scheme of things, movie awards really don’t matter. There are plenty of movies that should win but don’t, some of them don’t even get nominated, and there are some movies that don’t really deserve to win, but win anyway. So no matter what happens during the awards ceremony, it doesn’t really matter. But still, it’s fun to predict what movies will win and at the same time state what you think should win. Since everyone else is doing it, I decided to give my predictions for the 2016 Academy Awards. I have watched most of the films in the major categories but occasionally there’s a movie like The Hateful Eight which I can’t or just haven’t seen, so just keep that in mind.

* – Haven’t seen yet

BEST PICTURE

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The Big Short
Bridge of Spies
Brooklyn
Mad Max: Fury Road
The Martian
The Revenant
Room*
Spotlight

Will Win – The Revenant
Should Win – The Revenant
Should’ve Been Nominated – Carol

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Best Director

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Adam McKay – The Big Short
George Miller – Mad Max: Fury Road
Alejandro G. Iñárritu – The Revenant
Lenny Abrahamson – Room*
Tom McCarthy – Spotlight

Will Win – Alejandro G. Iñárritu – The Revenant
Should Win – George Miller – Mad Max: Fury Road
Should’ve Been Nominated – Todd Haynes – Carol

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BEST ACTOR IN A LEADING ROLE

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Bryan Cranston, Trumbo
Matt Damon, The Martian
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl

Will Win – Leonardo DiCaprio, The Revenant
Should Win – Leonardo DiCaprio, The Revenant

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BEST ACTRESS IN A LEADING ROLE

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Cate Blanchett, Carol
Brie Larson, Room*
Jennifer Lawrence, Joy
Charlotte Rampling, 45 Years*
Saoirse Ronan, Brooklyn

Will Win – Brie Larson, Room
Should Win – Cate Blanchett, Carol
Should’ve Been Nominated – Rooney Mara, Carol (instead of being nominated for supporting)

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BEST ACTOR IN A SUPPORTING ROLE

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Christian Bale, The Big Short
Tom Hardy, The Revenant
Mark Ruffalo, Spotlight
Mark Rylance, Bridge of Spies
Sylvester Stallone, Creed

Will Win – Sylvester Stallone, Creed
Should Win – Sylvester Stallone, Creed
Should’ve Been Nominated – Benicio Del Toro, Sicario

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ACTRESS IN A SUPPORTING ROLE

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Jennifer Jason Leigh, The Hateful Eight*
Rooney Mara, Carol
Rachel McAdams, Spotlight
Alicia Vikander, The Danish Girl
Kate Winslet, Steve Jobs

Will Win – Alicia Vikander, The Danish Girl
Should Win – Rooney Mara, Carol

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BEST ADAPTED SCREENPLAY

Left to right: Steve Carell plays Mark Baum and Ryan Gosling plays Jared Vennett in The Big Short from Paramount Pictures and Regency Enterprises

The Big Short
Brooklyn
Carol
The Martian
Room*

Will Win – The Big Short
Should Win – The Big Short
Should’ve Been Nominated – Steve Jobs

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BEST ORIGINAL SCREENPLAY

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Bridge of Spies
Ex Machina*
Inside Out
Spotlight
Straight Outta Compton*

Will Win – Spotlight
Should Win – Spotlight
Should’ve Been Nominated – The Hateful Eight*

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ANIMATED FEATURE FILM

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Anomalisa*
Boy and the World*
Inside Out
Shaun the Sheep Movie*
When Marnie Was There*

Will Win – Inside Out
Should Win – Inside Out

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BEST ORIGINAL SCORE

Bridge of Spies – Thomas Newman
Carol – Carter Burwell
The Hateful Eight – Ennio Morricone
Sicario – Johann Johannsson
Star Wars: The Force Awakens – John Williams

Will Win – The Hateful Eight
Should Win – The Hateful Eight
Should’ve Been Nominated – Mad Max: Fury Road – Junkie XL

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BEST SOUND EDITING

Mad Max: Fury Road
The Martian
The Revenant
Sicario
Star Wars: The Force Awakens

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road

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BEST SOUND MIXING

Bridge of Spies
Mad Max: Fury Road
The Martian
The Revenant
Star Wars: The Force Awakens

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road

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BEST PRODUCTION DESIGN

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Bridge of Spies
The Danish Girl
Mad Max: Fury Road
The Martian
The Revenant

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road
Should’ve Been Nominated – Star Wars: The Force Awakens

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BEST CINEMATOGRAPHY

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Carol
The Hateful Eight*
Mad Max: Fury Road
The Revenant
Sicario

Will Win – The Revenant
Should Win – The Revenant
Should’ve Been Nominated – Star Wars: The Force Awakens

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BEST MAKEUP AND HAIRSTYLING

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Mad Max: Fury Road
The 100-Year-Old Man Who Climbed Out the Window and Disappeared*
The Revenant

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road

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BEST COSTUME DESIGN

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Carol
Cinderella
The Danish Girl
Mad Max: Fury Road
The Revenant

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road

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BEST FILM EDITING

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The Big Short
Mad Max: Fury Road
The Revenant
Spotlight
Star Wars: The Force Awakens

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road
Should’ve Been Nominated – Star Wars: The Force Awakens

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BEST VISUAL EFFECTS

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Ex Machina
Mad Max: Fury Road
The Martian
The Revenant
Star Wars: The Force Awakens

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road

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So what are your thoughts, what do you think will win, what do you think should win and what do you think should’ve been nominated? Comment below and let me know your predictions for 2016.

Carol (2015) Review

ROONEY MARA and CATE BLANCHETT star in CAROL

Carol

Time: 118 Minutes
Age Rating: 860940[1] Sex Scenes, Offensive Language and Nudity
Cast:
Cate Blanchett as Carol Aird
Rooney Mara as Therese Belivet
Sarah Paulson as Abby Gerhard
Kyle Chandler as Harge Aird
Jake Lacy as Richard Semco
Director: Todd Haynes

Therese Belivet (Rooney Mara) spots the beautiful, elegant Carol (Cate Blanchett) perusing the doll displays in a 1950s Manhattan department store. The two women develop a fast bond that becomes a love with complicated consequences.

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Carol already had my attention when I heard that my two favourite actresses, Rooney Mara and Cate Blanchett, were both going to be in the same movie. It had a lot of hype, despite it not winning many of the awards that it was nominated for. After finally seeing Carol I have to say that it is truly one of the best movies of 2015. Todd Haynes’s excellent direction and attention to detail mixed with the great performances from Rooney Mara and Cate Blanchett makes this an incredible movie.

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One thing I heard about this movie before going into it is that the romance is much more subtle than in other movies. That’s definitely the case and I thought it was extremely well done, however it wasn’t just the romance that was subtle. The acting and direction allows you to clearly see how the characters are feeling, without too much dialogue needed to get their emotions across. Also you might initially think from the plot summary that a big part of the movie is focussed on how gay people weren’t exactly able to see each other in the 1950s but it smartly focussed more on the actual romance between Carol and Therese, which helped us get pulled even more into the story, if that aspect was included it could’ve taken away the immersement of the love story. This is the first film I’ve seen from Todd Haynes, and after seeing Carol, I really want to see his other movies.

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The acting is excellent from everyone. Cate Blanchett is as usual excellent in one of her best performances yet, and that’s saying a lot considering her performances like in Elizabeth and Blue Jasmine. Another great performance which is often overlooked in this movie is by Rooney Mara. Despite Mara being placed often in Best Supporting Actress in many award ceremonies, the movie is really Therese’s story. She arguably has the hardest job of any of the actors in this movie, a lot of her emotions you get from her eyes, which really is the sign of a great actor. Both of them share great chemistry, there was no moment where I doubted the love between Carol and Therese. The supporting actors also added quite a bit with actors like Sarah Paulson and Kyle Chandler but its Mara and Blanchett’s film.

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Usually with period piece movies, there’s some aspect that doesn’t feel natural with the time period and kind of takes me out of the movie. In the case of Carol however, it puts you right into the 50s with the excellent production design and costumes, which are both things that I don’t usually notice in most films. Todd Haynes’s attention to detail is great and can be clearly seen here. The soundtrack from Carter Burwell was great as well, and helps fit in with the tone that they were going for. By that I noticed that this film almost had some sort of hypnotising effect, and it helped as this movie really felt like a journey with these characters.

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Carol is one of the best movies of 2015, it’s such a shame that it didn’t get as much recognition as it should have. Its excellent performances, the great love story and the production value makes this an amazing movie. I’m not sure if it’s my number 1 favourite movie of the year but I’ll just say that the other movies I gave a 10/10 this year at least had some sort of flaw. With Carol though, I can’t find anything wrong with this movie, everything felt complete and I loved it. Check this movie out as soon as possible.

The Girl with the Dragon Tattoo (2011)

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The Girl With the Dragon Tattoo
Time: 158 Minutes
Age Rating: 860949[1] Acts of cruelty & rape, sexual violence & offensive language
Cast:
Daniel Craig as Mikael Blomvist
Rooney Mara as Lisbeth Salander
Christopher Plummer as Henrik Vanger
Stellan Skarsgard as Martin Vanger
Steven Berkoff as Dirch Frode
Robin Wright as Erika Berger
Yorick van Wageningen as Nils Bjurman
Joely Richardson as Anita Vanger
Director: David Fincher

After being successfully sued for libel by a wealthy industrialist, investigative journalist Mikael Blomkvist (Daniel Craig) leaves his magazine Millennium and accepts an offer from Henrik Vanger (Christopher Plummer) to write the Vanger family history. What Henrik is most interested in learning however is what happened to his niece, Harriet Vanger, who he is certain was murdered by a member of his family in the summer of 1966. Mikael takes on the task and moves into a small cottage on the Vanger estate. Blomkvist eventually believes that her disappearance might have something to do with some serial killings that took place 20 years before she disappeared. He begins to decipher some of the clues Harriet has left behind and decides to get an assistant, computer hacker Lisbeth Salander (Rooney Mara), the woman who did the very thorough background check on him for Vanger. Together, they learn of some of the Vangers deep, violent secrets.

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I haven’t read the novels by Stieg Larsson or watched the original movies, but just from watching this movie, I should get around to looking at them sometime because of how much I loved this movie. David Fincher was the perfect director for this film, creating a chilling atmosphere and overall, a film that is always captivating and interesting with never a dull moment.

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Starting with a sleek, stylistic and dark opening animation which is accompanied with Trent Reznor and Karen O’s cover of Immigrant Song (Originally by Led Zeppelin) the film never lets up in being completely interesting. When you go into this movie, expect a dialogue driven movie, like Zodiac (another Fincher movie) but yet it is much more captivating. It is also worth knowing that this is a mystery movie that has a lot of details to take in. The film also mostly jumps between the perspectives of Lisbeth and Mikael before they meet about halfway into the movie. Despite the film being a bit long at 2 hours and 40 minutes I still was interested throughout the entire runtime. The film also concludes with a fitting ending that has me itching for the sequels.

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Rooney Mara was absolutely fantastic in this movie. From her performance alone, I can see that her character is extremely hard to portray but somehow, she pulls it off. Mara managed to really transform herself to become Lisbeth and on screen, she lives and breathes her. She has successfully managed personifies one of the most complex and interesting characters I have watched on screen. Daniel Craig is also really good here who also has great chemistry with Rooney Mara. Other actors like Christopher Plummer and Stellan Skarsgard are also really good in their roles.

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David Fincher’s films always look great and this movie is no exception. The locations in Sweden are well made and the film looks downright beautiful when it takes place in winter. Incredibly, some of scenes used CGI, when all of the film looked like it was filmed with none of that. The score by Trent Reznor and Atticus Ross is also really good and sets the mood for the location, particularly in the snow.

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The Girl with the Dragon Tattoo proves again that David Fincher knows what he is doing behind the camera. It may not be the most pleasant film to watch but it is always eye catching with beautiful cinematography, a captivating tone and brilliant performances, mostly notable that being of Rooney Mara’s. It’s extremely hard for me to find any flaws in the movie and I’m looking forward to the sequels and I hope they get made.
9/10